Purposes for this batch/制作这批的目的:
These "Phor Tahn Kling Go-Hwa model amulet, 2520 BE" was created to raise funds for the repair of the dilapidated Dharma hall at Wat Thalung Thong. It was created by “His Royal Highness Prince Bhanuphan Yugala (the eldest son of the King)” together with “Mr. Worasak Adithepworaphan (Koh Wa)”, who at that time had the idea of raising funds to repair the Dharma hall. The amulet is oval-shaped. The front features a half-body portrait of “Phor Tahn Kling” and the back features a magically created elephant herd Yantra.
这尊“婆谭克鈴高瓦版佛牌，佛历2520年”是为了修缮塔隆通寺破败的法殿而制作的。它由“国王的长子巴努潘·尤加拉王子殿下”与“高瓦先生（Worasak Adithepworaphan）”共同制作，后者当时萌生了为修缮法殿筹款的想法。佛牌呈椭圆形，正面是婆谭克鈴的半身像。背面图案为以圣法创造的象群符咒。
Short introduction/简短介绍:
Luang Phor Met's candle wax look om, Wat Bueng Krachap. Some people may not have heard of Luang Phor Boonmee or Luang Phor Met, but in the eastern region, he is outstanding. He was the teacher of Luang Phor Jam-Niian, Wat Tham Suea, and Luang Phor Foo (Wat Bang Samak), and Luang Phor Phrom (Wat Khanon Nuea). As for this look om amulet, besides its protective powers against fangs and claws, it also protects against the supernatural in deep forests or places with many spirits. It also protects against water spirits and other strange and supernatural entities mixed in with the water. Black magic isn't just done through the air. Anyone who thinks they're strong will fall victim to water spirits and magic that comes with water, because when they lose consciousness, they drown. They suffocate even in water just a few feet deep. Luang Phor Met is very famous for his ability to catch water spirits. A monthly Buddhist magazine from many years ago wrote about his life, stating that he could catch water spirits by using a sacred thread with a clay weight attached, lowering it into the water. He was on a raft and dragged it along until the thread behaved like a fish on a hook. When he pulled it up, it appeared... There was a transparent, jellyfish-like creature with a withered, childlike face and sharp teeth, wriggling around. The father of the child, who had been attacked by this water spirit, immediately stomped it to death. The symptoms of being attacked by a water spirit include numbness and weakness in the legs, and feeling of faintness. It's believed these spirits feed on blood, because if someone drowns and dies soon after, their body will be very pale. But if attacked by a water spirit, it's said that all the blood disappears; the body becomes very pale and greenish, even if they've been underwater for less than an hour. (Use your discretion when believing this.) The reason he was especially skilled in this art was because behind his temple was a pond called Bueng Krachap. His amulets came in both large and small sizes, made of gilded wax.
龍婆梅制作烛蜡加持的圣物（来自瓦汶卡乍寺）。有些人没听说过龍婆汶米或龍婆梅，但他在泰国东部地区享有极高的声誉。他曾是多位高僧的师父，包括寺的龍婆赞莲、瓦挽沙玛寺的龍婆富，以及瓦卡濃呢寺的龍婆碰。至于这种“圆珠型”露翁佛牌，除了能抵御猛兽的利齿与利爪外，还能在深山老林或灵体聚集之地提供超自然层面的保护。它同样能防范“水精”（水中的灵体）以及潜藏在水中的各类诡异超自然存在。黑法术的施展并非仅限于空中；即便自恃法力高强的人，也可能栽在水精或附着于水中的法术之下——一旦受害者失去意识，便会溺水，即便在仅几英尺深的水中也可能窒息而亡。龍婆梅以其“捕捉水精”的本领而闻名遐迩。多年前的一本佛教月刊曾记载过他的事迹：他会用一根系着陶制坠子的圣线垂入水中，乘着竹筏在水面拖行；当圣线出现剧烈抖动（如同鱼儿上钩一般）时，他便将其拉起……此时，一个透明的、状如水母的生物便会现身——它长着一张枯槁如孩童般的脸，满口利齿，在不断扭动。曾有孩童遭此水精袭击，孩子的父亲见状，当即将其踩死。遭水精袭击后的症状通常包括双腿麻木无力，以及强烈的昏厥感。人们认为这类灵体以吸食血液为生；若有人溺亡，其尸体往往会变得异常苍白。而若遭水精袭击，据说体内的血液会彻底消失，尸体不仅变得惨白，还会泛出青绿色——即便溺水时间尚不足一小时，亦是如此。 （对此请自行斟酌判断。）他之所以在这门技艺上造诣极深，是因为他的寺庙后方有一处名为汶卡乍的池塘。他所制作的护身符有大、小两种尺寸，皆以贴金蜡料制成。
